One of the principle tasks of an architect is to shape rooms and spaces. In a similar way in which an architect uses his plans and sketches to illustrate his vision, a writer uses his words to express his thoughts. In fact, Eco seems to be an author who is very concerned about being precise in not only describing historical events, but also in setting the architectural backdrop of his novels. His intentions have also been visualized in Jean-Jacques Annaud’s movie of the same title.
Eco considers the Middle Ages not only as a mere scenery, but rather as an additional character of his novel. Therefore, he attaches a great deal of importance to the surroundings and architecture. This is seen in the significant design of the library, which acts as a vessel for the storyline, where key activities take place. (2) Before Eco started writing his novel, he had drawn countless plans and sketches to compose the compound of the abbey. Additionally, Eco paid extra attention to detail and historical precision. In the course of writing, he always bore in mind the ground plans of the buildings. (3) The specific importance of the library is highlighted with the added ground plan within the pages of the novel. Revealing the ways through the library with all its rooms and inscriptions allows the reader to follow Adso and William‘s discoveries inside the maze. It must be pointed out that Eco does not do this before Adso and William figure out the layout of the library themselves.1